Special Guest Blogger: Rick Buckler

It’s a funny old business, this legacy lark. Especially when you were the bloke at the back, the one whose main job was to stop the other two from galloping off into the sunset at 180 beats per minute.
So, pull up a stool. Not a drum stool, mind you. My back can’t take it these days. Let’s have a natter about life, death and the peculiar business of being moderately famous.
People ask me what it was like, being in The Jam at the height of it all. And honestly, most of the time, it was a blur of polyester, perspiration, and the thump-thump-thump of a bass drum vibrating through my entire skeleton. My view, you see, was usually Paul Weller’s shoes and Bruce Foxton’s backside. A fine backside, I’m told, but it’s not exactly the panoramic vista you get from the frontman’s microphone.
We were young, daft, and dressed sharper than a packet of needles. And we were loud. Lord, were we loud. I’d be up there, bashing the hell out of my kit, trying to count us in and out of the songs without losing a limb, and I’d look out and see this sea of parkas and mods, all going absolutely mental. It was brilliant. Terrifying, but brilliant.
You don’t have time to think about your legacy when you’re 22 and trying to remember the fill for ‘In the City’. You’re just trying not to mess it up. For me, the achievement was simply getting to the end of the set without my head exploding. And, you know, getting paid. That was a decent achievement.
Now, being the drummer in a famous band is a peculiar sort of fame. You’re well-known, but you’re not known-known. You’re the other one.
You can be walking down the street, and someone will do a double-take. You see the cogs whirring. They know your face. They know that face. They’ve got it on a poster at home, somewhere between Abba and David Essex.
It’s a weird existence. You get the recognition, the stories, the occasional free pint in a pub where the landlord’s a committed Mod. But you also get to pop to Tesco for a loaf of bread without causing a national incident. It’s the best of both worlds, really. All the glory of having been there, with none of the nuisance of having to wear sunglasses indoors.
So, when did I die? The first time, metaphorically speaking, was in 1982. The day Paul decided to call it a day. Blimey, that was a shocker. It was like being on the fastest, most exhilarating rollercoaster in the world, and then someone hits the emergency stop button and tells you to get off. The ride was over.
And just like that, Rick Buckler the Famous Drummer was no more. He became, well, just Rick. Rick from Woking.
You can’t exactly spend the rest of your days reliving ‘Going Underground’. You’d go spare. So I did what any self-respecting retired rock god would do. I got a job. A proper job as a furniture restorer.
I kid you not. I went from hammering out beats for thousands of screaming fans to painstakingly repairing a delicate Chippendale chair legs. The noise level went down considerably, and the smell changed from stale beer and sweat to French polish and sawdust. And do you know what? I loved it. It was quiet. It was satisfying. You could see the results of your work right there in front of you. You can’t exactly put a perfect three-minute pop song on the mantelpiece, but you can a beautifully restored grandfather clock.
So, the rock star died. And in his place, a slightly baffled man with a passion for wood stain was born but i decided i could actually spend the rest of my days reliving Going Underground and set up a tribute Jam Band with Bruce Foxton and wrote several books about the Band because knocking out a dovetail joint is cool, but being a former rockstar is much more profitable.